Plastic Pollution Expedition to Indonesia!!~

A golden light matches the wonderful golden smell that envelopes the nose upon entering the Balinese taxi: it is the pungent shavings of coconut that are part of the small baskets of flowers and symbolic items laid daily as offerings of the nature-based Balinese Hinduism. This beautiful daily ritual is evidenced everywhere: on the street, on pathways, the beach, roadside altars and even in the taxi dashboards.  A place of deep spiritual connections to the natural world, Bali was the launching port of our 10-day Oceanic Society/Drifters Project/Plastic Pollution Coalition…

Beautiful article in SparkNews France / Fabrique des Recits

I am so honored by this powerfully-written photo essay covering my work. Thank you @fabriquedesrecits for the article responding to my @earthsky interview, @sparknews for the repost, and @naturefinder Wayne Sentman for his great portrait photo of me after my scuba dive in Indonesia aboard the Sea Safari II. Translation in English follows French text below: https://fabriquedesrecits.com/inspire/pamela-longobardi-les-dechet-plastiques-dans-nos-oceans-de-linspiration-a-la-denonciation/ ARTICLE TEXT IN FRENCH AccueilS’inspirer Pamela Longobardi & les déchet plastiques dans nos océans, de l’inspiration à la dénonciation 1Production & Consommation 7Rapport à la Nature @ Publié le 21 avril 2023 Et si les artistes étaient des interprètes, des traducteurs, des ambassadeurs du…

Large-Scale Commission at 8 West!~

I was commissioned to create a very large scale permanent wall installation for the new 8 West complex in Atlanta. The work measured 12 feet in height and 8 feet wide and was installed in a wall niche in the entrance atrium. The piece is visible from the 3rd Street entrance. ARCHAEOLOGY OF DESIRE, 2020 This artwork contains 627 pieces of derelict ocean plastic retrieved from remote beaches, sea caves and coastal zones around the world, including Hawaii, Alaska, Costa Rica, California, Greece, Indonesia, Belize, Panama, Alabama and Georgia.  Plastic…

A living fossil~ Palau forges new models for human relationships with nature

The oddly-shaped domed islands of Palau, a sovereign island nation of Micronesia, are living fossils ~ the uplifted remains of ancient coral beds that rise above sea level to become habitat, ark and home to a vast array of creatures and people, including some of the most beautiful humans I have ever met. Palau is part of Micronesia in the western Pacific Ocean, east of Philippines and northeast of Indonesia, a 340 island strand highlighted by the spectacular cluster known as the Rock Islands, a UNESCO World Heritage Site.  It…

REWORLDING

My newest exhibition has opened at Hathaway Contemporary Gallery in Atlanta, GA, the culmination of the past year’s studio and research trips to Lesvos and Kefalonia, Greece, Wales and Indonesia.  This work addresses the vast environmental and geopolitical forces re-ordering the world as we have known it through the traceable singularity that is oceanic plastic.  As a universal material of contemporary global culture, plastic endures in the environment such that all plastic ever created still exists.  My most recent work engages the refugees and citizens on the island of Lesvos,…

Oceanic Society Artist-In-Nature Residency!~ Bali to Komodo

2014 marked the start of a new adventure:  I am the official Artist-In-Naure with Oceanic Society!  Founded in 1969, Oceanic Society is the oldest ocean conservation non-profit in America, focused on using the experience of travel in nature as a tool to deepen the connections between people and the natural world.  Their progressive leadership has introduced two initiatives in 2014: to address plastic pollution and to promote art as a conservation tool.  My first trip as Artist-In-Residence was co-leading the 10-day Bali to Komodo expedition on the live-aboard schooner Sea Safari VII with naturalist and Oceanic’s…

About

Drifters Project by Pam Longobardi provides a visual statement about the engine of global consumption and the vast amounts of plastic objects impacting the world’s most remote places and its creatures. “What if artists were interpreters, translators, ambassadors of the Living, endowed with a sixth sense, with a magic power that came from who knows where, allowing them to welcome calls for distress from human and non-human beings, to understand them and make us understand them? What if artists were also archaeologists ahead of their time, everyday archivists, collectors of…